Who is the plagiarism of Chinese and foreign furniture design?

I often argue with Western designers about a problem. They always say that Chinese people sneak their designs. However, I think that Westerners first copied Chinese designs, so they often made troubles. Perhaps many people think that I am unreasonable and chaotic. In fact, I am based on it, and I am not saying it.

I often think that European furniture design is only the Netherlands, France, Germany and Italy. Other Britain and Northern Europe are affected by Chinese design. Even in the early years, many of them copied China. Let's first talk about Britain. Around 1681, a large number of British furniture people, artisans, producers, and early design designers went to Guangzhou to learn to paint and learn to produce, so they also brought back Chinese design.

So after 1700, a large number of famous designers, such as Zibindale, Adam Brothers, and Seleton, appeared. This period is also the most glorious era of the British furniture industry. For these decades, British furniture has been laid. status.

Can you say that British furniture has nothing to do with China?

The crocodile ball shape of Qibindale and the hollowing out of QueenAnn are all learned from China. Inheritance (a little polite, not plagiarism) The most extensive and deepest of China's Ming style furniture is Nordic, especially their chair design. Many of them are exactly the same as the Ming style. At most, they change the size or material, and even the famous masters of the world? Wegner's most famous work, the Chinese chair, is also from the Ming style, and Zhu Xiaojie found the prototype of its Ming furniture. No 100%, at least 80-90% are imitating ours.

Perhaps their civilization is too short, there is no tradition for them to dig, so they can only adopt Chinese tradition. We are now going back to imitate them. In fact, we should learn from them how to transfer Chinese traditional furniture to the West, integrate into their cultural life, and then make modern things. They have gone through two "transformations":

中——→西&古——→今

And we, as long as one, namely: ancient - → today

Isn't that much simpler? Such a transformation is the new Chinese style. Unfortunately, our designers are not aware of the cultural mission of this history, but they are taking another path:

West - → middle

In the past 20 or 30 years, we have gone from the west to the middle. No, I don’t think. The furniture on our market has the upper half of Spain’s lower body in Italy, some are mixed, and a set of furniture is doped in many countries. The symbol is really "the road to the avenue, the world is the public."

Designers may still be complacent in the dark, and the sales lady in the Shanghai furniture market can only say when you introduce it to you: "Look at it! Style is more foreign!"

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